HOME
ListMoto - Filmation


--- Advertisement ---



(i) (i) (i)

Filmation
Filmation
Associates was a production company that produced animation and live-action programming for television from 1963 to 1989.[3] Located in Reseda, California, the animation studio was founded in 1962.[4] Filmation's founders and principal producers were Lou Scheimer, Hal Sutherland and Norm Prescott.

Contents

1 Background 2 History 3 Film library ownership 4 Animation style

4.1 Quality

5 Trademarks 6 Original characters 7 Live-action shows

7.1 The Ghost Busters

8 Looney Tunes/ Groovie Goolies crossover 9 Feature films 10 Voice talent 11 Background musical talent 12 List of Filmation
Filmation
productions 13 References 14 External links

Background[edit]

Filmation's 3rd logo from 1975

From left to right: Norm Prescott, Hal Sutherland and Lou Scheimer

Lou Scheimer and Filmation's main director Hal Sutherland met while working at Larry Harmon Pictures on the made-for-TV Bozo and Popeye cartoons. Eventually Larry Harmon closed the studio. Scheimer and Sutherland went to work at a small company called True Line, one of whose owners was Marcus Lipsky, who then owned Reddi-wip
Reddi-wip
whipped cream.[5] SIB Productions, a Japanese firm with U.S. offices in Chicago, approached them about producing a cartoon called Rod Rocket. The two agreed to take on the work and also took on a project for Family Films, owned by the Lutheran Church–Missouri Synod, for ten short animated films based on the life of Christ. Paramount Pictures soon purchased SIB Productions, and True Line's staff increased, including the arrival of former radio disc jockey Norm Prescott, who became a partner in the firm. He had already been working on the animated feature Pinocchio in Outer Space
Pinocchio in Outer Space
which was primarily produced by Belvision Studios. History[edit] They eventually left True Line, and Scheimer began working on commercials, including for Gillette and others, which began what became Filmation. He met lawyer Ira Epstein, who had worked for Harmon but left the firm, and now put together the new corporation with Scheimer and Sutherland. It officially became Filmation
Filmation
Associates as of September 1962, so named because "We were working on film, but doing animation"; so putting them together yielded "Filmation".[5] Both Rod Rocket and the Life of Christ
Christ
series credited "Filmation Associates" with "Production Design" in addition to Scheimer and Sutherland as directors. (SIB Productions, whose logo bore a resemblance to the original Filmation
Filmation
logo designed by Ted Littlefield,[5] would soon go on to become "Sib-Tower 12 Productions" and produce the first few of Chuck Jones' Tom and Jerry
Tom and Jerry
films for MGM, until becoming MGM Animation/Visual Arts for the remainder of the films).[4] Norm Prescott brought in Filmation's first major project, Journey Back to Oz, an animated sequel to the MGM
MGM
film The Wizard of Oz (1939). Begun in 1962, storyboarding, voice recording, and most of the music scoring and animation had been completed when financial challenges caused the project to be put on hold for nearly eight years. In the meantime, during the interim, the new Filmation
Filmation
studio turned their attention to a more successful medium, network television. For the next few years they made television commercials, and some other projects for other companies, made an unsuccessful pilot film for a Marx Brothers
Marx Brothers
cartoon series, and tried to develop an original series The Adventures of Stanley Stoutheart (later renamed Yank and Doodle) about a boy and a dog, which they were never able to sell, and almost closed down;[5] until approached by DC Comics
DC Comics
editor Mort Weisinger
Mort Weisinger
to do a Superman
Superman
cartoon. This premiered on September 10, 1966, and was followed by several of the other DC super heroes, and then in 1968, the first Archie Show. Both series greatly helped Filmation's popularity to increase, into the 1970s, when it really scored big with several of its shows.[6][7] The Filmation
Filmation
studio was purchased by the TelePrompTer Corporation in 1969. Westinghouse Electric Corporation, through its Group W Productions division, acquired Filmation
Filmation
along with its purchase of TelePrompTer's cable and entertainment properties in 1981.[8] Filmation's last production was the feature film Happily Ever After (a sequel to the story of Snow White), released to theaters five years later in 1993. Also, at the time of the closing, two new animated TV shows, Bugzburg (a spinoff of Pinochhio and the Emperor of the Night, concerning insect characters who had shown up in that movie) and Bravo (a spinoff of BraveStarr), were beginning production. In 1989, Westinghouse sold Filmation
Filmation
to an investment consortium led by the L'Oréal
L'Oréal
cosmetics company, Paravision International. Before that sale was complete, Westinghouse shuttered the film studio on February 3, 1989, which left L'Oreal with the Filmation
Filmation
library only.[8] This happened a day before a new law went into practice requiring companies to give employees 60 days notice before a mass termination. Film library ownership[edit] Since then, the studio's intellectual property assets have changed hands on a number of occasions. The in-house productions (Archie, Fat Albert, etc.), which form a majority of the Filmation
Filmation
back catalog, were sold to Hallmark Cards
Hallmark Cards
in 1995,[9] and managed by its Hallmark Entertainment subsidiary. However, since the rest of Filmation's output was based on characters licensed from other companies, such titles were actually (and still are) under the control of other studios (such as CBS Television Distribution
CBS Television Distribution
and Warner Bros./DC Comics). In March 2004, ownership of the Filmation
Filmation
in-house library, which was under the ownership of Hallmark, was sold to Entertainment Rights. Entertainment Rights has since made the revelation that when Hallmark converted all of its Filmation
Filmation
shows to digital format in the 1990s, only PAL-format copies were made, with the original film prints apparently discarded.[10] This was due to Hallmark's previously unstated (but long suspected) short-sighted policy of only distributing Filmation
Filmation
shows outside of the United States. As a result, many of Entertainment Rights' DVD releases (distributed by BCI Eclipse in the United States
United States
prior to the latter company's folding) were based on the international versions (which have PAL
PAL
prints). Because they were taken from PAL-based transfers, without correction, these releases exhibit the so-called 576i speedup effect in which the soundtrack plays 4% too fast, which results in the pitch being a half-step higher than it was originally (see PAL
PAL
and Telecine
Telecine
for more information). PAL- NTSC
NTSC
conversion artefacts also include softness and ghosting. The exception appears to be at least four titles from ER's library: Groovie Goolies, Ark II, and both the live-action and animated Ghostbusters
Ghostbusters
series. These series appear to have been sourced from original NTSC
NTSC
transfers for their U.S. release by BCI. Another exception, Star Trek: The Animated Series, which was owned by Paramount Television
Paramount Television
(now CBS Television Studios), is also in the NTSC format. On April 1, 2009, it was announced that Entertainment Rights would be acquired by Boomerang Media[11][12] and on May 11, 2009, it was announced that the subsidiaries and offices of Entertainment Rights would be absorbed under the name Classic Media.[13][14] In 2012, it was announced that Classic Media, owner of the Filmation library, would be acquired by DreamWorks Animation. DreamWorks Animation and its programming library, including those of Filmation (not including shows whose rights are owned by other companies, such as The New Adventures of Gilligan
The New Adventures of Gilligan
and Star Trek: The Animated Series), would later be acquired on April 28, 2016 by Universal Studios
Universal Studios
for $3.8 billion.[15] Filmation
Filmation
cartoons have been widely syndicated, and many are available from video streaming services. Four Filmation
Filmation
programs from 1983-1988 were also rebroadcast on Qubo's "Night Owl" programming block. Animation style[edit]

Layout artist Lindsay Dawson
Lindsay Dawson
working on a key-frame of animation for He-Man
He-Man
and the Masters of the Universe. This was a typical working desk for animators, layout artists, and background designers at Filmation
Filmation
in 1983.

As with other producers of Saturday morning cartoons, Filmation
Filmation
was more concerned with quantity rather than quality; however, it did make a number of attempts to rise above the standard animated fare and produce reasonably well-written cartoons. The best-known example of this is its animated adaptation Star Trek: The Animated Series, which included scripts contributed by well-known science fiction writers and starred most of the original cast.[16] Other favorably remembered Filmation
Filmation
series included a 16-part animated serial of Flash Gordon, originally intended as a movie for theatrical release, Flash Gordon: The Greatest Adventure of All. The original film edit was only aired three times on NBC, years after the series was cancelled. Fat Albert and the Cosby Kids was another hailed series created by and starring Bill Cosby
Bill Cosby
with an explicit educational focus.[7] He-Man
He-Man
and the Masters of the Universe, based on the popular line of Mattel
Mattel
toys, opened up a vibrant new North American market for first-run television syndication for animation in the 1980s. The animated adaptations of the Archie Comics characters were also noteworthy for the original pop music produced for it, particularly the song "Sugar, Sugar", which was a #1 hit single.[17] In addition, certain episodes of He-Man
He-Man
and BraveStarr, in substance, and often animation, were pioneers in children's animated series of their time and paved the way for broader storytelling. Examples include He-Man's "The Problem with Power" which dealt with He-Man believing he had killed an innocent bystander. Another is "Teela's Quest" which introduced a now-famous mythology on The Sorceress being Teela's mother, who is heir to the mantle of safeguarding Grayskull, the versed continuity shared between He-Man
He-Man
and She-Ra, among others. Other notable examples include the Bravestarr episode "The Price", which includes the actual death of a character due to drug addiction. The 1985 Fat Albert episode "Busted" was a direct homage to the primetime Scared Straight
Scared Straight
TV specials. A first for American children's cartoons, the original airing of this episode included mild profanity that has, however, been edited out of re-airings and home video versions. Likewise, the scripts for Star Trek, which were often written by the same people who had written for the live-action version of the show, tended to be quite sophisticated, and garnered the first Emmy Award
Emmy Award
for the franchise. Quality[edit] Filmation
Filmation
had a reputation for exploiting the technique of limited animation to produce a number of animated series with a distinct look. It made heavy use of rotoscoping in later years (beginning with its Tarzan and Flash Gordon
Flash Gordon
series). It also re-used the same animated sequences over and over, many times, to the point where the Filmation style was instantly recognizable. Filmation's animation often looked poor quality, due to the limiting of the number of frames per second used to fewer than the regular 24 frame/second seen on film or 25/30 frame/s seen on video. Frames would be repeated to compensate for the deficiency, resulting in a jerky and cheap look. This frequent use of stock footage saved production money, but often resulted in sacrifice of continuity. This was countered by cutting from one stock shot to another after only a second or two, long enough to set the scene but before the eye could notice all of the unexplained errors. This became part of Filmation
Filmation
style during a period when most TV and motion picture production tended to run minimum shots of 4–5 seconds. In contrast to the rapid jump cuts during action sequences, another Filmation
Filmation
trademark was the recurring use of long establishing shots in which the camera would pan slowly across a very wide background painting, thus filling up screen time with sequences requiring little or no animation. Filmation
Filmation
also pioneered other animation technologies, particularly in Flash Gordon, which included backlighting effects for the first time in American animation (they were already in use in Japan), including moire effects to represent energy fields (a technique that was later used in He-Man
He-Man
and later in She-Ra). It also pioneered a unique method of generating 3-D vehicle animation by filming white-outlined black miniatures against black backgrounds using a computerized motion-control camera and high-contrast film, then printing the negatives onto acetate frame-by-frame, to create animation cels which were then hand-painted. This produced a three-dimensional effect that had been used by Disney in films such as One Hundred and One Dalmatians
One Hundred and One Dalmatians
previously. It predated the modern use of 3-D computer animation for vehicles in 2-D animated productions. However, it had a distinctive "flicker" to it, because some of the painted lines went in and out of visibility as the miniatures moved. Unlike many American studios, Filmation
Filmation
never relied on animation studios outside the United States
United States
for the bulk of its production; Ghostbusters
Ghostbusters
and BraveStarr
BraveStarr
both state in the end credits that they were "made entirely in the U.S.A.". This occurred during a time when rival studio Hanna-Barbera
Hanna-Barbera
shifted from saying in the final production credits (immediately before the production logo appearances) "A Hanna-Barbera
Hanna-Barbera
Production" to "Produced in Association with: Wang Film Productions / Cuckoo's Nest Studios" which is located in Taiwan
Taiwan
(along with H-B's own Philippines-based Fil-Cartoons). The quality of Filmation's "Made Entirely in the U.S.A." strategy was comparable to the outsourced animation. Filmation
Filmation
did, however, rely on outsourcing once, when the company created its animated Zorro series. It was animated by Tokyo Movie Shinsha
Tokyo Movie Shinsha
of Japan; however, the storyboards and graphics were made by Filmation
Filmation
itself. Filmation
Filmation
is also noteworthy for its background paintings under the direction of long-time department head Erv Kaplan, such as the purple-colored "night sky" backgrounds used in He-Man
He-Man
and She-Ra.[18][19] Characters, as well as plots, were typically run of the mill for the time. For example, most episodes of Ghostbusters
Ghostbusters
had the same scheme (bad guys develop an evil plan, the heroes are needed but always absent, Ghost Buggy the talking car complains about their dangerous position, Tracey the Gorilla pulls out of his back pack exactly the miscellaneous item the Ghostbuster needs in a moment of despair, Eddie doing a number of clumsy/stupid things etc.). Although as previously mentioned, Filmation
Filmation
made various attempts to rise above the norm. Many of the sound effects used in its cartoons are also very familiar, the majority of them being recycled from Hanna-Barbera
Hanna-Barbera
(though this was, and still is a common trait among animation companies, though Filmation's copies of the Hanna-Barbera
Hanna-Barbera
sound effects were of a distinctively lower quality), though the company's DC Comics
DC Comics
cartoons of 1966-7 used more realistic sound effects. Trademarks[edit] A trademark of the company's productions, beginning in 1969, was a rotating, circular "Produced by" (and on some shows, "Executive Producers") credit seen in the end credits (and in later productions, the opening sequences) of Filmation
Filmation
programs, as a device that was supposedly created to allow Prescott and Scheimer to share equal billing. Previously, Scheimer's name had been placed above Prescott's. However, the later Filmation
Filmation
productions credited only Scheimer, in the form of his signature ("Lou Scheimer, (Executive) Producer"), starting with 1982's Gilligan's Planet. Many of its shows – particularly the productions of the late 1970s and 1980s – are notable for imparting a simple moral or life-lesson (explained by a key character, in a child-friendly manner) in the epilogue. Original characters[edit] The studio created very few original animated characters. Two examples were "Fraidy Cat", a timid feline who has lost eight of his nine lives, which come back to haunt him; and Wacky and Packy, a caveman and his pet mammoth ("Packy" refers to the latter character being a "pachyderm") who enter the modern age through a time warp. Both of these originally aired as segments of the Uncle Croc's Block show on ABC (hosted by Charles Nelson Reilly). In a period where ideas for cartoons had run dry (comedy was heavily scrutinized for violence[original research?] and everything else seemed to copy the popular Scooby-Doo
Scooby-Doo
format),[original research?] Filmation's strong point was its adaptations of popular TV shows, movies and other works, although at least one show, M*U*S*H (the third animated segment on Uncle Croc's Block), while not a direct adaptation was inspired by the film (and later TV series) M*A*S*H. Live-action shows[edit] Filmation
Filmation
incorporated live-action into some of its animated series. Shows like The Hardy Boys and Archie's Funhouse featured live-action footage of an audience watching the bands perform and Fat Albert had segments featuring series creator Bill Cosby. The Kid Super Power Hour with Shazam!, was more of a hybrid - a live-action variety show with animated segments. Actors appeared as characters from the Hero High portion of the show, singing songs and telling jokes. Filmation
Filmation
made six fully live-action shows, including Space Academy, its spin-off Jason of Star Command, Ark II, Shazam! (based on the DC Comics character Captain Marvel), The Ghost Busters, and The Secrets of Isis. The 2006 DVD release of the animated series Space Sentinels
Space Sentinels
includes pre-production footage for an aborted live-action version entitled The Young Sentinels. The Ghost Busters[edit] Filmation
Filmation
produced a live-action series called The Ghost Busters
The Ghost Busters
in 1975 starring Larry Storch
Larry Storch
and Forrest Tucker
Forrest Tucker
(late of F Troop) and noted science-fiction fan and collector Bob Burns as "Tracy the Gorilla".[7] The characters worked as paranormal investigators, working for an unseen "Chief" named "Zero" who delivered their "Ghost Busting Assignments" in whimsical disguised recording devices as in Mission: Impossible. Nine years later, Columbia Pictures, who produced an unrelated 1984 movie of almost the same name, had to obtain the rights to the title from the company. Filmation
Filmation
capitalized on the popularity of the film by producing a new cartoon based on their earlier series. Like its other shows, it used stock footage heavily; in one episode, character designs and animation sequences were recycled from the Groovie Goolies series of nearly 15 years earlier. To avoid confusion, the animated series based on the film was called The Real Ghostbusters. As a dig on the Filmation
Filmation
series, an episode was written about a group of fraudulent ghost fighters, trying to steal the "Real" Ghostbusters' business and thunder.[20] Looney Tunes/ Groovie Goolies crossover[edit] Also of note is Daffy Duck and Porky Pig Meet the Groovie Goolies, a special featuring several of Warner Bros.' Looney Tunes
Looney Tunes
stars (paired with Filmation's own Groovie Goolies, a group of classic monsters). Written by Len Janson and Chuck Menville (who played themselves in a live-action sequence), it aired on The ABC Saturday Superstar Movie in 1972. While most of the Warner Bros.
Warner Bros.
characters were drawn well (veteran Warners animator Virgil Ross was working there at the time, along with other animators that had worked for Warner Bros.
Warner Bros.
Animation in the late 1960s, such as Laverne Harding and Ed Solomon), and were voiced by veteran voice actor Mel Blanc, the special is not liked by many fans of classic Warner Bros.
Warner Bros.
animation because of its limited animation, as well as a weak storyline. This was not Filmation's last dalliance with classic cartoon characters; in the late 1970s the company produced new series based on the characters from the Terrytoons
Terrytoons
archive ( Mighty Mouse
Mighty Mouse
and Heckle and Jeckle, titled The New Adventures of Mighty Mouse
Mighty Mouse
and Heckle & Jeckle) and a new Tom and Jerry
Tom and Jerry
series as well. Feature films[edit] Filmation
Filmation
also ventured into the feature film business. With their success in television firmly established by 1970, the company became profitable enough to return to the shelved Journey Back to Oz
Journey Back to Oz
project, completing the animation and some minor voice-over work begun in 1962, and finished the film in 1971. It would take another year for Journey to be released theatrically in the United Kingdom, two more years before its 1974 US release, and yet another two (1976) before it finally found its audience in network television, the very medium in which Filmation
Filmation
became successful. There, the film was expanded with live-action segments featuring Bill Cosby, who ironically was in the midst of his success with the studio's Fat Albert and the Cosby Kids. A deal with Warner Bros.
Warner Bros.
yielded Treasure Island and Oliver Twist, and several others, which were never produced.[21] In its final years, Filmation
Filmation
produced feature film versions of its He-Man
He-Man
and She-Ra
She-Ra
franchises (The Secret of the Sword), as well as continuations to other established stories, such as Pinocchio and the Emperor of the Night and Happily Ever After.[22] Voice talent[edit] Like other animation studios, Filmation
Filmation
had its stock company of voice-over actors. Some of the most famous included Larry Storch, Dallas McKennon (best known as the voice of Archie in the Archie cartoon and as Cincinnatus, in the Daniel Boone TV series), Bud Collyer, the original radio voice of Superman, reprised the role for Filmation
Filmation
for their late 1960s version of the Man of Steel; Adam West and Burt Ward
Burt Ward
(who recreated their roles as " Batman
Batman
and Robin" from their 1960s live-action series for Filmation's 1977 animated incarnation), Jane Webb, and good friends and colleagues Edward Asner and Linda Gary
Linda Gary
(Gary voiced a majority of Filmation's work in the 1980s), along with John Erwin (voice of Reggie Mantle, and later the voice of He-Man), Alan Oppenheimer
Alan Oppenheimer
(character actor in TV and film), Ted Knight, George DiCenzo
George DiCenzo
(John Blackstar, Hordak, Bow on She-Ra), Melendy Britt, Howard Morris, Pat Fraley, Charlie Adler, Ed Gilbert, Susan Blu, Erika Scheimer (daughter of Lou Scheimer), and even Lou Scheimer himself (either uncredited, or under the pseudonym of "Erik (sometimes "Eric") Gunden"). Background musical talent[edit] For the company's 1960s superhero efforts, composer John Gart (under the stage name John Marion) and music supervisor Gordon Zahler created strong themes and backing cues using a large orchestra, until 1968's Batman
Batman
entry, which used sparser production and jazzier themes. The company's 1960s adventure series Journey To The Center Of The Earth (1967) and Fantastic Voyage (1968) likewise used sparser music production. Journey made heavier emphasis on guitar than the company's previous series, while Voyage made use of deliberately haunting woodwinds to create a science fiction flavor. According to the booklets accompanying some of the DVDs of Filmation's shows, legendary composer Ray Ellis (who was assisted by his son Marc Ellis [1]) had produced the background music for most Filmation
Filmation
series under the pseudonyms "Yvette Blais and Jeff Michael."[23] Yvette Blais was Ellis' wife, while "Jeff" and "Michael" were the names of producer Norm Prescott's two sons. (Exactly what role Prescott played in the music, other than hiring the composers and musicians, is unclear.) The full-length features Treasure Island and Oliver Twist
Oliver Twist
credit "George Blais". Ellis' name does appear in Archie[24] and Sabrina the Teenage Witch credits, and both "Ray Ellis", and "Jeff Michaels" appear side by side on Groovie Goolies credits, where "Ellis" is credited for "Sabrina background music", and "Michaels" is credited for "Groovie Goolies background music". Much of Ellis' background music in the late 1960s had a distinct, richly orchestrated sound not found on many other made-for-TV cartoon series of that period; though as time went on, it became more contemporary and often synthesized. Ellis' work at the studio lasted from 1968 to 1982. Haim Saban
Haim Saban
and Shuki Levy composed and produced the studio's music for He-Man
He-Man
and She-Ra
She-Ra
(during 1983-1986), along with the other studios for which they produced music scores. Frank W. Becker provided the music for Filmation's final animated series, BraveStarr. In 1977, a young 24-year-old composer/recording artist/producer by the name of Dean Andre (Wallschlaeger) began writing theme and featured music for Filmation. His first series Archie's Bang-Shang Lalapalooza Show featured the voice of Daws Butler. He went on to compose themes for The New Adventures of Mighty Mouse
Mighty Mouse
and Heckle & Jeckle, and The Fabulous Funnies (featuring the voices of June Foray
June Foray
and Alan Oppenheimer). Dean also lent his vocal talents to Filmation
Filmation
for Thematic and featured music that he composed and produced for A Snow White Christmas, Sport Billy, and The Kid Super Power Hour with Shazam! In 1981 Dean also took on the position of Musical Director for The Kid Super Power Hour with Shazam!. Filmation
Filmation
routinely included a plug for its music publisher, Shermley Music (ASCAP), in the closing credits of most of its shows. This has never been common practice on American television. List of Filmation
Filmation
productions[edit] Main article: List of works produced by Filmation References[edit]

^ "Norman Prescott". Variety. July 6, 2005. Retrieved 2010-08-14.  ^ Solomon, Charles (January 1, 1988). "Production Is Less Animated at Filmation
Filmation
Studio". The Los Angeles Times. Retrieved 2010-08-23.  ^ Bates, James (August 25, 1987). "Cartoon factory Filmation
Filmation
is under orders to cut costs, and a plan to shift some of its production overseas has alienated workers". The Los Angeles Times. Retrieved 2010-08-24.  ^ a b Bates, James (February 8, 1989). " Filmation
Filmation
Shuts Plant, Beats Closing Law Deadline by 1 Day". The Los Angeles Times. Retrieved 2010-08-24.  ^ a b c d Scheimer, Lou; Mangels, Andy (2012), Lou Scheimer: Creating the Filmation
Filmation
Generation, Raleigh, North Carolina: TwoMorrows Publishing, pp. 37–48, ISBN 978-1-60549-044-1  ^ "'Sesame Street' Breakthrough For New Programming". Florence Times—Tri-Cities Daily. Florence, AL. Associated Press. April 27, 1970. p. 2. Retrieved March 25, 2012.  ^ a b c Margulies, Lee (May 12, 1975). " Filmation
Filmation
- its sole product is for kids". The Free Lance-Star. Fredericksburg, VA. Associated Press. p. 20. Retrieved March 25, 2012.  ^ a b "Group W sells Filmation." Broadcasting, February 13, 1989, pg. 94 ^ "Hallmark buys Filmation
Filmation
library". The Hollywood Reporter. 20 January 1995. p. 20.  Missing or empty url= (help); access-date= requires url= (help) ^ Ettinger, Paul (Feb 15, 2007). "Bad news for Filmation
Filmation
fans". Film Score Monthly. Retrieved 2011-02-19.  ^ Hodkinson, Paul (April 2, 2009). "He-Man, Casper Bought by Private-Equity Firm". The Wall Street Journal. Retrieved 2009-05-12.  ^ " Boomerang Media
Boomerang Media
Buys ER". World Screen News. April 1, 2009. Retrieved 2009-05-12.  ^ "Classic Media Absorbs Subsidiaries". Home Media Magazine. May 11, 2009. Retrieved 2009-05-12.  ^ " Entertainment Rights to Operate as Classic Media". Animation World Network. May 11, 2009. Archived from the original on April 21, 2009. Retrieved 2009-05-12.  ^ "Comcast's NBCUniversal buys DreamWorks Animation
DreamWorks Animation
in $3.8-billion deal". Los Angeles Times. Retrieved 28 April 2016.  ^ Kleiner, Dick (June 14, 1973). "New Animated TV Show Is Aimed At Adults". Portsmouth Times. Newspaper Enterprise Association. p. 21. Retrieved March 25, 2012.  ^ Solomon, Charles (January 1, 1988). "Production Is Less Animated at Filmation
Filmation
Studio". The Los Angeles Times. Retrieved 2010-08-24.  ^ Bates, James (August 25, 1987). "Cartoon factory Filmation
Filmation
is under orders to cut costs, and a plan to shift some of its production overseas has alienated workers". The Los Angeles Times. Retrieved 2010-08-24.  ^ Bates, James (August 25, 1987). "Color Cartoon Maker Blue Over Westinghouse Order to Cut Costs". The Los Angeles Times. Retrieved 2010-08-24.  ^ Carter, R.J. (2007-06-11). "Interview: Lou Scheimer: A Candid Conversation with Filmation's Founder". Archived from the original on 2012-05-25.  ^ Scheimer, Lou; Mangels, Andy (2012), Lou Scheimer: Creating the Filmation
Filmation
Generation, Raleigh, North Carolina: TwoMorrows Publishing, pp. 82, 93, 113, ISBN 978-1-60549-044-1  ^ "Pinocchio Legend Grows New Animated Film Isn't A Sequel But A Continuation". Morning Call. Retrieved 2010-12-12.  ^ Mangels, Andy, DVD booklets for Space Sentinels/The Freedom Force, Hero High, The Ghost Busters, Space Academy, Jason of Star Command, and The Secrets of Isis ^ Ray Ellis - IMDb

External links[edit]

Greater Los Angeles portal Companies portal Television in the United States
United States
portal Cartoon portal

Filmation
Filmation
on IMDbPro (subscription required) Filmation
Filmation
at the Big Cartoon DataBase Filmation
Filmation
page at Toonopedia

v t e

Animation industry in the United States

Companies/studios

Active

21st Century Fox

20th Century Fox Animation Blue Sky Studios Fox Television Animation

Ace & Son Augenblick Studios Bento Box Entertainment Blur Studio CBS Corporation

CBS Animation

Comcast

DreamWorks Animation

Big Idea Entertainment DreamWorks Classics Harvey Entertainment Jay Ward Productions

Illumination Entertainment Universal Animation Studios

The Curiosity Company DHX Media

WildBrain

Disney

Disney Television Animation DisneyToon Studios Industrial Light & Magic Lucasfilm Animation Marvel Animation Pixar
Pixar
Animation Studios Walt Disney Animation Studios

Film Roman Floyd County Productions Fred Wolf Films Frederator Studios

Frederator Films

Fuzzy Door Productions Hasbro

Hasbro
Hasbro
Studios

Jim Henson's Creature Shop Kinofilm Klasky Csupo Laika Little Airplane Productions Man of Action Studios Marza Animation Planet Mattel

HIT Entertainment Hot Animation

Metro-Goldwyn-Mayer

Metro-Goldwyn-Mayer
Metro-Goldwyn-Mayer
Animation

Mexopolis Mondo Media

6 Point Harness

PorchLight Entertainment Powerhouse Animation Studios Prana Studios Radical Axis Reel FX Creative Studios Renegade Animation Rough Draft Studios Screen Novelties SD Entertainment ShadowMachine Sony

Adelaide Productions Sony
Sony
Pictures Animation Sony
Sony
Pictures Imageworks

Splash Entertainment Sprite Animation Studios Spümcø Stoopid Monkey Threshold Entertainment Time Warner

Cartoon Network Productions

Cartoon Network Studios Williams Street Williams Street
Williams Street
West

Warner Bros.
Warner Bros.
Animation

Warner Animation Group Hanna-Barbera

Titmouse, Inc. United Plankton Pictures Vanguard Animation Viacom

MTV Animation Nick Digital Nickelodeon Animation Studio Paramount Animation

Wild Canary Animation World Events Productions

Defunct

70/30 Productions Adventure Cartoon Productions Amblimation Animation Collective Animation Lab Animation Magic Cambria Productions Cartoon Pizza Circle 7 Animation Cookie Jar Group Crest Animation Productions Curious Pictures DePatie–Freleng Enterprises DIC Entertainment DNA Productions Famous Studios Filmation Fleischer Studios Fox Animation Studios Golden Films Jetlag Productions Kroyer Films Laugh-O-Gram Studio Marvel Productions MGM
MGM
Animation/Visual Arts MGM
MGM
Cartoons MGM-Pathé Communications Pacific Data Images Rankin/Bass Productions Ruby-Spears Screen Gems Cartoons Skellington Productions Soup2Nuts Sullivan Bluth Studios Sunbow Entertainment Terrytoons United Productions of America Van Beuren Studios Walter Lantz Productions Warner Bros.
Warner Bros.
Cartoons Will Vinton Studios Zodiac Entertainment

Industry associations

The Animation Guild, I.A.T.S.E. Local 839 ASIFA-Hollywood

Awards

Academy Awards Annie Award Daytime Emmy Award Nickelodeon Kids' Choice Awards Primetime Emmy Award

History

Silent era Golden age

World War II

Television era Modern era

Genres

Animated Infomercial Animated sitcom Buddy film Comedy-drama Superhero fiction Western

Related topics

American comics

History of American comics Tijuana bible

Humorous Phases of Funny Faces Flash animati

.