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Randai
Randai
Randai
is a folk theater tradition of the Minangkabau ethnic group which incorporates music, singing, dance, drama and the martial art of silat. Randai
Randai
is usually performed for traditional ceremonies and festivals, and complex stories may span a number of nights.[1] It is performed as a theatre-in-the-round to achieve an equality and unity between audience members and the performers.[2] Randai
Randai
performances are a synthesis of alternating martial arts dances, songs, and acted scenes
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Padang Panjang
Motto(s): Padang
Padang
Panjang Kota Serambi Mekah (Indonesian: Padang
Padang
Panjang The Courtyard of Mecca)Location within West Sumatra Padang
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Theatre In The Round
A theatre in the round, arena theatre or central staging is a space for theatre in which the audience surrounds the stage. The Glenn Hughes Penthouse Theatre
Theatre
in Seattle, Washington was the first theatre-in-the-round venue built in the United States
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Mek Mulung
Mek or Mek may refer to: Mek people, an indigenous tribe of West Papua, Indonesia Mek languages, a family of Papuan languages spoken by the Mek peoples Mek (comics), a comic mini series by Warren Ellis MEK Compound, in Fallujah, Iraq, a compound used by the U.S
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Likay
Likay
Likay
(Thai: ลิเก, RTGS: like) is a form of popular folk theatre from Thailand. Its uniqueness is found in the combination of extravagant costumes with barely equipped stages and vaguely determined storylines, so that the performances depend mainly on the actors' skills of improvisation and the audiences' imagination.[1][2]Contents1 Origin 2 Repertoire2.1 Stories 2.2 Popular characters3 Performance 4 Costumes 5 References 6 External linksOrigin[edit] There are several competing ideas about the origins and development of likay. However, the most likely is that likay has roots in the Malay jikey, an Islamic chant
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Lakhon Chatri
Lakhon chatri
Lakhon chatri
(Thai: ละครชาตรี) is a genre of dance-drama from Central Thailand
Central Thailand
and is closely related to the Nora of Southern Thailand. The word "chatri" has been derived from Sanskrit "kshatriya" which means a member of the Hindu
Hindu
royal and warrior class above Vaisyas and below the Brahmans
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Digital Object Identifier
In computing, a Digital Object Identifier or DOI is a persistent identifier or handle used to uniquely identify objects, standardized by the International Organization for Standardization
International Organization for Standardization
(ISO).[1] An implementation of the Handle System,[2][3] DOIs are in wide use mainly to identify academic, professional, and government information, such as journal articles, research reports and data sets, and official publications though they also have been used to identify other types of information resources, such as commercial videos. A DOI aims to be "resolvable", usually to some form of access to the information object to which the DOI refers. This is achieved by binding the DOI to metadata about the object, such as a URL, indicating where the object can be found. Thus, by being actionable and interoperable, a DOI differs from identifiers such as ISBNs and ISRCs which aim only to uniquely identify their referents
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Royal Ballet Of Cambodia
KRAT/ ICT (UTC+07:00)Date format dd/mm/yyyyDrives on the rightCalling code +855 ISO 3166 code KHInternet TLD .khYou may need rendering support to display the Khmer text in this article correctly. Cambodia
Cambodia
(/kæmˈboʊdiə/ ( listen);[7] Khmer: កម្ពុជា, or Kampuchea IPA: [kɑmpuˈciə], French: Cambodge), officially known as the Kingdom of Cambodia
Cambodia
(Khmer: ព្រះរាជាណាចក្រកម្ពុជា, Preăh Réachéanachâk Kâmpŭchéa, IPA: [ˈprĕəh riəciənaːˈcɑk kɑmpuˈciə], French: Royaume du Cambodge), is a sovereign state located in the southern portion of the Indochina Peninsula in Southeast Asia
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International Standard Book Number
"ISBN" redirects here. For other uses, see ISBN (other).International Standard Book
Book
NumberA 13-digit ISBN, 978-3-16-148410-0, as represented by an EAN-13 bar codeAcronym ISBNIntroduced 1970; 48 years ago (1970)Managing organisation International ISBN AgencyNo. of digits 13 (formerly 10)Check digit Weighted sumExample 978-3-16-148410-0Website www.isbn-international.orgThe International Standard Book
Book
Number (ISBN) is a unique[a][b] numeric commercial book identifier. Publishers purchase ISBNs from an affiliate of the International ISBN Agency.[1] An ISBN is assigned to each edition and variation (except reprintings) of a book. For example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, and 10 digits long if assigned before 2007
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Special
Special
Special
or specials may refer to:Contents1 Music 2 Film and television 3 Other uses 4 See alsoMusic[edit] Special
Special
(album), a 1992 album by Vesta Williams "Special" (Garbage song), 1998 "Special
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Nhã Nhạc
Nhã nhạc
Nhã nhạc
(Vietnamese: [ɲǎːˀ ɲàːk], 雅樂, "elegant music") is a form of Vietnamese court music. Vietnamese court music is very diverse, but the term nhã nhạc refers specifically to the Vietnamese court music performed from the Trần dynasty
Trần dynasty
of the 13th century to the Nguyễn dynasty
Nguyễn dynasty
at the end of the 20th century.Contents1 Nhã Nhạc1.1 Instruments2 Development during the Nguyễn dynasty 3 UNESCO 4 See also 5 References 6 External links6.1 VideoNhã Nhạc[edit] Vietnamese court music was performed at annual ceremonies, including anniversaries and religious holidays, as well as special events such as coronations, funerals or official receptions, by highly trained and skilled court musicians
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Lakhon Nok
Lakhon nok
Lakhon nok
(Thai: ละครนอก) is a genre of theatre originating from the Ayutthaya era. It was based on the folk performances, similar to lakhon chatri, from what is now Southern Thailand.[1] References[edit] Bibliography[edit]Brandon, James R. (1967). Theatre in Southeast Asia. Harvard University PressNotes[edit]^ Brandon pg. 62This Thailand-related article is a stub
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Yama Zatdaw
Yama Zatdaw
Yama Zatdaw
(Burmese: ရာမဇာတ်တော်, pronounced [jàma̰ zaʔ tɔ̀]), unofficially Myanmar's national epic, is the Burmese version of the Ramayana. There are nine known pieces of the Yama Zatdaw
Yama Zatdaw
in Myanmar. The Burmese name for the story itself is Yamayana, while zatdaw refers to the acted play or being part of jataka tales of Theravada Buddhism. The Yama Zatdaw
Yama Zatdaw
was introduced by oral tradition during King Anawratha's reign although it was not known clearly whether the story was Valmiki’s Sanskrit epic Ramayana
Ramayana
or not. In the Nathlaung Temple, the Visnu
Visnu
temple, within the walls of old city Bagan, there are some stone sculptures, one of which is Ramachandra
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Lakhon Nai
Lakhon nai
Lakhon nai
(Thai: ละครใน; RTGS: lakhon nai) is a Thai performing art originating in the royal court of Thailand
Thailand
(formerly Siam)
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Khon
Khon
Khon
(Thai: โขน, pronounced [kʰǒːn]) is a dance drama genre from Thailand. It is traditionally performed solely in the royal court by men in masks accompanied by narrators and a traditional piphat ensemble. A variation of this genre with female performers is called khon phu ying (โขนผู้หญิง).Contents1 Khon
Khon
characters 2 Khon
Khon
practice 3 History 4 Khon
Khon
performers 5 Gallery 6 See also 7 References Khon
Khon
characters[edit] A khon story has many characters
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Singkil
Singkíl (or Sayaw sa Kasingkil) is a folk dance of the Maranao people of Lake Lanao
Lake Lanao
based on the epic legend Darangen,[1] which was popularised by the Bayanihan Philippine National Folk Dance Company.Contents1 Description 2 Adaptations2.1 Bayanihan 2.2 Other versions3 In film 4 See also 5 ReferencesDescription[edit] Singkil
Singkil
originated from the Maranao people
Maranao people
who inhabit the shores of Lake Lanao[1]. It is a re-telling of an episode from the Maranao epic legend Darangen involving the rescue of Princess Gandingan (abducted by the diwatas) by the legendary Prince Bantugan[2]. It is a popular dance performed during celebrations and other festive entertainment. Originally only women, particularly royalty, danced the Singkil, which serves as either a conscious or unconscious advertisement to potential suitors
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